theatre // Werkraum @Münchner Kammerspiele // colaboration with Left Bank Theatre Kyiv // 2011
Ophelia forms the female counter-figure to Hamlet. The popular figure has ever since ignited male fantasies and has been the target of gender-specific projections. Based on this observation, an attempt is made to let the mute Ophelias find their contradictions and their voices and to emancipate them from the associative series: woman, madness, water, death.
With: Maryna Klimova, Anastasiia Pustovit, Edith Saldanha, Concept: Alek Niemiro, Edith Saldanha, Music: Matthias Kremsreiter, Stage + Costume: Marlene Pieroth, Production Manager + Surtitles: Martina Simkin, Dramaturgy: Tamara Trunova, Curator of the „Entfernte Nachbar*innen“ Festival: Martín Valdés-Stauber
theatre // Werkraum @Münchner Kammerspiele // colaboration with Left Bank Theatre Kyiv // 2011
Ophelia forms the female counter-figure to Hamlet. The popular figure has ever since ignited male fantasies and has been the target of gender-specific projections. Based on this observation, an attempt is made to let the mute Ophelias find their contradictions and their voices and to emancipate them from the associative series: woman, madness, water, death.
theatre // Werkraum @Münchner Kammerspiele // colaboration with Left Bank Theatre Kyiv // 2011
Ophelia forms the female counter-figure to Hamlet. The popular figure has ever since ignited male fantasies and has been the target of gender-specific projections. Based on this observation, an attempt is made to let the mute Ophelias find their contradictions and their voices and to emancipate them from the associative series: woman, madness, water, death.
